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9781597112352 English 1597112356 "Aperture "magazine debuted its striking relaunch with the Spring 2013 issue. Featuring superior printing, many more pages, vigorous writing, stunning photographic portfolios, and a design by the award-winning London studio A2/SW/HK, the new "Aperture "updates its 60-year-old mission as the worlds most vital photography magazine in print. Presenting fresh perspectives accessible to the photo practitioner and the culturally curious alike, each issue examines one theme at the heart of contemporary photography, explored in two distinct sections: Words, focused on ideas, interviews and debate, and Pictures, offering an immersive photographic experience of individual artists projects and series. New columns include "Studio Visit," "The Collectors," "Dispatches," "Object Lessons" and "What Matters Now." The Fall issue, "Playtime," will explore how photography illuminates, facilitates and participates in the many definitions of play--from role-play and sex-play to theater and jokes., In the winter 2013 issue of "Aperture," titled "Photography as you don't know it," leading curators, historians, writers, and publishers introduce ten photographers they believe have been overlooked or are undervalued, and deserve more attention today. Why are some figures remembered and others forgotten? In the Pictures section, Paul Trevor is introduced by Chris Boot; Seichi Furuya by David Strettell; Maria Sewcz by Britt Salvesen; Len Lye by Geoffrey Batchen; Ken Pate by Carole Naggar; Marianne Wex by David Campany; Ricardo Rangel by Bronwyn Law-Viljoen; Horacio Coppola by Sarah Hermanson Meister; and Ros'ngela Rennó by Thyago Nogueria. In the Words section, Joel Smith considers the ever-expanding domain of photography history; Katrina Sluis speaks with Christiane Paul and Julian Stallabrass about how new technologies may shape future histories of photography; Brian Dillon considers London's Archive of Modern Conflict; Philip Gefter interviews Quentin Bajac, MoMA's new head of photography; and four writers reflect on exhibitions due for reconsideration. The issue kicked up many names new to us and to our readers, underscoring how many stories of photography are just beginning to be told.
9781597112352 English 1597112356 "Aperture "magazine debuted its striking relaunch with the Spring 2013 issue. Featuring superior printing, many more pages, vigorous writing, stunning photographic portfolios, and a design by the award-winning London studio A2/SW/HK, the new "Aperture "updates its 60-year-old mission as the worlds most vital photography magazine in print. Presenting fresh perspectives accessible to the photo practitioner and the culturally curious alike, each issue examines one theme at the heart of contemporary photography, explored in two distinct sections: Words, focused on ideas, interviews and debate, and Pictures, offering an immersive photographic experience of individual artists projects and series. New columns include "Studio Visit," "The Collectors," "Dispatches," "Object Lessons" and "What Matters Now." The Fall issue, "Playtime," will explore how photography illuminates, facilitates and participates in the many definitions of play--from role-play and sex-play to theater and jokes., In the winter 2013 issue of "Aperture," titled "Photography as you don't know it," leading curators, historians, writers, and publishers introduce ten photographers they believe have been overlooked or are undervalued, and deserve more attention today. Why are some figures remembered and others forgotten? In the Pictures section, Paul Trevor is introduced by Chris Boot; Seichi Furuya by David Strettell; Maria Sewcz by Britt Salvesen; Len Lye by Geoffrey Batchen; Ken Pate by Carole Naggar; Marianne Wex by David Campany; Ricardo Rangel by Bronwyn Law-Viljoen; Horacio Coppola by Sarah Hermanson Meister; and Ros'ngela Rennó by Thyago Nogueria. In the Words section, Joel Smith considers the ever-expanding domain of photography history; Katrina Sluis speaks with Christiane Paul and Julian Stallabrass about how new technologies may shape future histories of photography; Brian Dillon considers London's Archive of Modern Conflict; Philip Gefter interviews Quentin Bajac, MoMA's new head of photography; and four writers reflect on exhibitions due for reconsideration. The issue kicked up many names new to us and to our readers, underscoring how many stories of photography are just beginning to be told.